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Jennifer Belle headshot

This week several of my clients asked for my reaction to this news item BELOW:

This Memorial Day weekend, if you see a woman on the street or the subway laughing her head off while reading Jennifer Belle’s new novel, “The Seven Year Bitch,” it might be an act. Belle, the best-selling author of “Going Down” and “High Maintenance,” usually isn’t at a loss for readers. But this time around she’s gotten super-entrepreneurial. After receiving more than 500 résumés, she auditioned 100 actresses and hired 40 to fan out across the city and burst out laughing in public while reading her book. The actresses are being paid $8 an hour, a source said, and will hit high-traffic areas like the Red Steps above the TKTS booth in Times Square. Belle says it’s like in India where people hire professionals to cry at their loved ones’ funerals. “I’m hiring actors to laugh at my book,” Belle explains. “Publishing is no laughing matter these days.” http://bit.ly/beeEo7

Yes, books DO have it tough, competing for attention with all the entertainment options out there (including the overwhelming number of bad books). So I’m all in favor of smart, economical ways of promoting a great read–especially as I have YET to work with ANY client–or hear from ANY author I’ve met–who was thoroughly pleased with the job that their publisher did on marketing and promoting their book.

Now, liquor companies have been hiring buxom models to order drinks emphasizing the BRAND name as they order for a long long time as in: “Mr. Bartender, a [TK BRAND] vodka martini, please.” And every major fashion and consumer company in the world–be it cars, watches, furs, or hardwood flooring–will give away merchandise or greatly discount it to celebrities who promise to drive them, wear them or be photographed at home with them.

So my initial response is, why is this book promotion campaign offending and why is there a double-standard for books vs. all that other STUFF?

There is a double-standard for books. By way of comparison, no one would ever think LESS of an animated film’s merits because there were film-inspired happy meal toys being used to incentivize kids to order health-endangering fast-food. (Though that is arguably a way to kill off your audience…)

Given this double-standard and the noble associations that there are for reading in general, why hasn’t the book industry been smarter about capitalizing on this prestige?

It seems to me that in thinking that books are too high-brow to be marketed, no creative energy goes into it which I find very upsetting as publishing revenues are the major way smart thinkers in this country make a living and without decent income streams for thinkers, the dumbing down of our culture will continue. This we’re-too-good-to-sell-ourselves kind of sanctimoniousness reminds me of back in the early aughts, Fay Weldon’s book, THE BULGARI CONNECTION raised a lot of holier-than-though indignation for accepting sponsorship from the jeweler to underwrite the book and get product placement in the title. What about all great works of art of yore that actually integrated portraits of the patrons or portrayed them in a flattering light to boost their local reputation?

Certainly I’m not saying EVERYTHING is for sale, but in an era when there are fewer and fewer patrons–private or coroporate–why damn a writer for being resourceful? Frankly I feel it should be a BIG alarm bell to the industry that an author even having a promotions campaign is NEWS, then THAT should be seen as a symptom of a major problem.

That said, coming back to the prestige of the book, why can’t marketing campaigns be built on integrity, on a genuine connection to what’s being sold? Not only does that approach sit better with my conscience, it’s just better business. Real enthusiasm is infectious. There is no better way of selling than by showcasing someone’s passion or someone’s passionate testimonial–whether it’s the creator of the object (in this case the author) or users of the object (readers) who love it. I know I would happily go on the record for free to rave about any number of authors as well as my MacBook Pro.

So, in this era of social media and cheap video tools, access to thousands is within the reach of all to create. There are ways that Jennifer Belle [whose books I haven't read but know were well-reviewed for their genre and achieved bestsellerdom over several titles because of her devoted following] could be capitalizing on her existing wealth of fans, calling them into action for free with contests, book clubs, themed parties, building an interesting traveling tour (that’s NOT a mere reading by the author!), partnerships with other brands’ circulation channels that are naturally simpatico with her book’s identity and her existing brand, etc.

And all this comes back to feeling genuinely connected to and respecting your customers–not like they are some anonymous mob OUT THERE buying triple cheeseburgers that could kill them but you don’t care because they’ve already paid you for the junk. That’s the attitude behind selling junk. [I have heard of a major food conglomerate that doesn't serve some of its offerings in its own corporate headquarters cafeteria because of the health risks associated with them would endanger their staff--now THAT to me is criminal disdain of your customers.] If you believe in what you’ve got to sell, you should just need to spread the word in smart ways–and not have to trick others to buying it. If you respect your customers, in this case, your readers, you would never want to do anything to violate their trust in you or think less of you.

So AUTHORS!–embrace marketing as sharing your passion for your book. Love your readers and treat them with respect and they will love you back by endorsing you in positive Amazon.com reviews and even by purchasing a stack to give to friends–I know I do and I know I’m not alone.

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David Foster Wallace with lightbulb

Thoughts on NYT Book Review article:  Wish You Were Here By KEN KALFUS, Published: May 20, 2010 [http://nyti.ms/cQPx2s]

Much as I love novels of ideas, I don’t agree with David Foster Wallace’s thoughts about the mission of fiction BELOW. Personally, I would say all serious writing worth producing strives to illuminate some aspect of the human spirit–not give people an elitist trip of accomplishment. I’m all in favor of earnest intellectual ambition, but not for its own sake.

Talking about his novel, Wallace accepts the criticism that it’s difficult, but he considers difficulty valuable, an integral component of contemporary fiction. “If the writer does his job right, what he basically does is remind the reader of how smart the reader is,” he says. Wallace contrasts literature with the electronic media, especially television, an amusement that is his own personal weakness, an actual addiction. “One of the insidious lessons about TV is the meta-lesson that you’re dumb. This is all you can do. This is easy, and you’re the sort of person who really just wants to sit in a chair and have it easy.” He takes this idea to the outer limits in “Infinite Jest,” a novel in which terrorists seek to acquire a peculiar weapon of mass destruction: an underground film with the capacity to mesmerize and kill its viewers.

The review addresses Lipsky’s ambivalence about his role as an interviewer profiling a more successful novelist–especially given the philosophy of his subject.

Wallace’s two-sided attitude toward mass culture makes him determined, as Lipsky puts it, “not to enjoy the process of being celebritified.” He’s concerned about the effects of fame on his work. “To have written a book about how seductive image is, and how very many ways there are to get seduced off any kind of meaningful path, because of the way the culture is now. But what if, you know, what if I become this grotesque parody of just what the book is about? And of course, this stuff drives me nuts.”

Lipsky’s aware that he’s an avatar of the star-making pop culture about which Wallace is so ambivalent. He’s ambivalent too, sincere in his regard for Wallace, yet also a compliant chip in the mass media’s vacuous, reductionist, gossip-mongering, nonliterary, anti-literary machine. A novelist himself, he loves literature yet appears to believe that a writer’s dominant response to a great book can be only envy. Self-conscious about his contradictions, suspicious of his subject while wanting his approval, Lipsky is a character nearly worthy of Wallace’s fiction. While the author is in the shower, Lipsky surreptitiously phones Rolling Stone from the guest room. His notes, unfortunately, are too sketchy to provide real drama, but the conversation centers on how to chase down rumors that Wallace once had an alcohol or drug problem. Lipsky and his colleagues discuss how to pump Wallace’s former editor, Gerry Howard, who “would be more than forthcoming with a little bit of massaging to give you whatever you needed. Bury it in other questions. . . . For example, ‘How was editing him; what do you think of his success; hey, what about the dope?’ ”

…What is certain is that, living in the closing years of the American century, struggling with his own impulses and appetites, Wallace developed a vision of a society whose pursuit of pleasure was shutting itself off from true feeling and experience. In “Infinite Jest,” he tells Lipsky, “drugs are kind of a metaphor for the sort of addictive continuum that I think has to do with how we as a culture relate to things that are alive.”

A striking feature of Lipsky’s book is the delicate dance between the earnest celebrity reporter and the savvy celebrity- shy subject, each aware that their encounter serves an exterior purpose, yet each also sensitive to the possibility of a real human connection, even friendship. “It’s kind of intense,” Wallace observes. But on the last leg of the journey, after the two seem to have become close, Lipsky ventures that there’s something false in Wallace’s persona. The reporter suggests that Wallace believes he’s really smarter than other people, and that his amiability is a species of condescension. Disappointed, Wallace shoots back: “You’re a tough room.”

Your thoughts welcome…?

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From the VERY funny Susan Prekel

[WISH I could be in two places at once--but YOU all should go!]

******

HELLO EVERYONE!

Final reminder about our show this Thursday, April 8 — doors at 7, show at 7:30 pm.

And don’t forget — it’s BYOB! So no two-drink minimum.

More details below.

Hope to see you soon!

Susan.

WHAT: It’s PREKELBERG — Susan Prekel and Ophira Eisenberg join forces to bring you a night of stand-up comedy! Hosted by the very funny Jon Fisch.

WHEN: Thursday, April 8

TIME: Doors at 7:00 - Show at 7:30

WHERE: Axis Theatre – West Village

1 Sheridan Square – located in the West Village where Washington Place, West 4th, and Barrow Street meet. It’s basically a few doors down (East) from the Duplex …

To see a map: http://www.axiscompany.org/location.htm

COST: $10 / BYOB (and some beverages provided)

Tickets are available at the door.

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Always intrigued to read about a creative professional who succeeds in brand-building. Christian Louboutin, the French shoe designer has succeeded by every professional and trend-meister measure–though the most validating may be that celebs actually PAY for his shoes! Instead of the typical trunk show, focused on peddling, his obsessed collectors bring a favorite pair of new shoes–only one per customer–for him to autograph his signature red soles.

I thought this quote in the current May 2010 Vanity Fair profile revealed savvy self-awareness about what his product provides his customers:

“Half of my women want a shoe to make them look a little tarty, and the other half are big tarts who want a shoe that looks classy. I think that in both cases the shoe completes the woman, gives them the element they don’t have in themselves.”

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Ultimate Touché

Zora Neale Hurston: “Sometimes, I feel discriminated against, but it does not make me angry…. It merely astonishes me. How can any deny themselves the pleasure of my company?” ~ from Passionate Minds by Claudia Roth Pierpont

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Just read Colette’s short story “Gigi” for the first time and was disappointed to discover that she was perhaps the first RULES girl that proved the rule(s).

My FSG paperback edition–that includes also “Julie de Carnelilhan” and “Chance Aquaintances”–has such a great introduction by Judith Thurman, I now must read her biography of Colette. (May read her biography of Dinesen first, since I already have…)

Here are some choice passages–all of the best lines went to the successful–and caustically cynical–demi-mondiane aunt Alicia who is schooling Gigi (actually Gilberte) in the fine art of courtesanship:

“Bad table manners…have broken up many a happy home”

“Don’t ever wear artistic jewelry, it wrecks a woman’s reputation” [and then goes on to describe a list of such "offensive" jewels that I would have no qualms accepting, like "a mermaid in gold with eyes of chrysoprase."]

“And what about nonsense? Did you talk nonsense to her? Didn’t you talk to her of love, travel, moonlight, Italy? You must know how to harp on every string. Didn’t you tell her that on the other side of the world the sea is phosphorescent, that there are humming-birds in all the flowers, and that you make love under gardenias in full bloom beside a moonlit fountain?”

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Since you’re interested in ideas, I know you’ll enjoy Rob Rosenthal’s interview with professional idea man John Hunt, author of the newly released The Art of the Idea, featured on the Huffington Post, here. A nice holiday gift idea (published with great design flair by Powerhouse Press) and the proceeds go to a good cause.

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“it’s easier to know oneself than to fool oneself, and it requires less energy”= my favorite line in Abigail Thomas‘s provocative book of meditations and writing exercises, THINKING ABOUT MEMOIR

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